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On the 5th of December, 1797, Bonaparte returned to Paris; and, a few days after, Josephine arrived also. In her little hotel, in the Street Chautereine, where she had passed so many bright and happy days, she hoped, after so many storms and hardships, to enjoy again new and cheerful sunny days of domestic enjoyments--she hoped to rest from all those triumphs which had accompanied at each step both her and her husband. This hope, however, was not to be realized, for greater triumphs still than those she had enjoyed in Italy awaited Bonaparte in Paris. The days of quietude, and the pleasures of home, which Josephine so much loved, and which she so well understood how to embellish with friendships and joys, were now forever past away. Placed at the side of a hero whose fame already filled all Europe, she could no longer calculate upon living in modest retirement, as she would have wished to do: it was her lot to share his burden of glory, as she also was illumined by its beams. From this moment nothing of former days remained; all was changed, all was altered by Bonaparte's laurels and victories. He was no more the servant of the republic, he was nearly its master; he had not only defeated Austria in Italy, but he had also defeated in France the Directory, which had sent him as its general to Italy, and which now saw him return home as the master of the five monarchs of France. Every thing now, as already said, assumed a new shape: even the house in which they lived, the street in which this house stood, had to be changed. Hitherto this street had been called "Rue Chautereine;" since Bonaparte's return the municipality of Paris gave it the name "Rue de la Victoire," and now to this Street of Victory the people of Paris streamed forth to see the conqueror; to stand there patiently for hours before the little hotel, and watch for the moment when at one of the windows the pale countenance of Bonaparte, with his long, smooth hair, might appear. Even the little hotel was to be altered. Bonaparte--who, in earlier days, had described, as his dream of happiness, the possession of a house, of a cabriolet, and to have at his table the company of a few friends, with his Josephine--now found that the little house in the Rue de la Victoire was too small for him; that it must be altered even as the street had been. The modest and tasteful arrangements which had sufficed the Widow Josephine de Beauharnais, appeared now to her young husband as insufficient; the little saloon, in which at one time he had felt so happy at the side of the viscountess, was no longer suited to his actual wants. Large reception-rooms and vestibules were needed, magnificent furniture was necessary, for the residence of the conqueror of Italy, in the Rue de la Victoire. Architects were engaged to enlarge and transform the small house into a large hotel, and it was left to Josephine's taste to convert the hitherto elegant private dwelling into a magnificent residence for the renowned general who had to be daily in readiness to receive official visits, delegations of welcome from the authorities, and the institutions of Paris, and from the other cities of France. For France was desirous to pay her homage to the hero of Arcola, and to celebrate his genius--to wish him prosperity, and to applaud him. The Directory had to adapt themselves to the universal sentiment; to pay their respects to the general with a cheerful mien and with friendly alacrity, while at heart they looked on him with vexation and envy. Bonaparte's popularity filled them with anxiety and fearful misgivings. But it was necessary to submit to this; the public sentiment required those festivities in honor of the general of the republic, and the five directors in the Luxemburg had no longer the power to guillotine the public sentiment, the true king of Paris, as once they had guillotined King Louis. The directors, therefore, inaugurated brilliant festivities; they received the conqueror of Italy in the Luxemburg with great demonstrations of solemnity, in which the Parisians took a part. In the immense court in front of the residence of the directors this celebration took place. In the midst of the open place a lofty platform was erected; it was the country's altar, on which the gigantic statues of Freedom, Equality, and of Peace, were lifted up. Around this altar was a second platform, with seats for the five hundred, the deputies, and the authorities; the standards conquered in the Italian war formed over the seats of the five directors a sort of canopy: they were, however, to them as the sword of Damocles, ready to fall upon them at any moment and destroy them. The directors, dressed in brilliant antique robes, created no impression, notwithstanding their theatrical splendor, in comparison with the sensation produced by the simple, unaffected appearance of General Bonaparte. He wore the plain green uniform which he had worn at Arcola and Lodi; his suite was limited to a few officers only, who, like himself, appeared in their ordinary uniforms, which they had worn on the battle-field. The two generals, Andreossy and Joubert, carried the standards which the Legislative Assembly, two years before, had presented to the army of Italy, and upon which could now be read the names of sixty-seven battles won. At one of the windows of the palace of the Luxemburg, Josephine watched this strange celebration, the splendors of which made her heart beat with delight, and filled her eyes with tears of joy. Near her was her daughter Hortense, lately withdrawn from Madame Campan's institution, to be with her mother, who, full of ecstasy and pride, gazed at the charming maiden at her side, just blooming into a young lady; and then beyond, at that pale young man with pensive eyes standing near yonder altar, and before whom all the authorities of Paris bowed--who was her husband, her Bonaparte, everywhere conqueror! Before her only was he the conquered! She listened with a happy smile to the long speech with which Talleyrand saluted Bonaparte in the name of his country; she heard how Barras, concealing within himself his jealousy and his envy, welcomed him; how with admiration he praised him; how he said that Nature, in one of her most exalted and greatest moments, had resolved to produce a masterpiece, and had given to the wondering world Bonaparte! And then, after this affected harangue, Josephine saw how Barras, with tears of emotion, embraced Bonaparte, and how the other Directors of France followed his example. A slight sarcastic smile for a moment played on Josephine's lips, for she well knew how little this friendship and this love of the Directory were to be trusted, how little sincerity was contained in the sentiments which they so publicly manifested toward the conqueror.
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